Quicktips 2011 Day 24: Access FCP’s timeline keyframe editor
Everyone who edits with Final Cut Pro knows that you have full access to animating and keyframing parameters via...
Is “Good Enough” Killing Our Industry?
I contend that the “it’s good enough” mentality is killing quality, and especially in our industry. Philip sees it...
After Effects Apprentice: Layer Control
As we mentioned earlier, we're creating a video training series from our book After Effects Apprentice and distributing it...
Quicktips 2011 Day 23: moving all keyframes on a shot in FCP
This reader Quicktip comes over from Steve Sabban and it’s a follow-up to Quicktip number 7: changing FCP filters...
Quicktips 2011 Day22: Add Virtual Cuts to Avid Clip Based on Tracks Beneath
Here’s a really cool Avid Media Composer Reader Quicktip that comes from Evan Schiff. It’s quite clever and I...
After Effects Apprentice Free Video: Arranging Layers
As we mentioned earlier, we're creating a video training series based on our popular beginner's book After Effects Apprentice,...
Which ProRes quality level is Good Enough when editing DSLR footage?
So I wanted to share some personal findings after working heavily with DSLRs for about a year and a...
HPA Tech Retreat 2011 Day 4
On this fourth and final day of the 2011 Tech Retreat, we learned about standards activities, 3D ghosts, camera...
Quicktips 2011 Day 21: Change multiple FCP audio clip levels at once
This Reader Quicktip comes from Matt Larson and is sort of a workaround for Final Cut Pro lack of...
Quicktips 2011 Day 20: One of the most simple, handy Quicktips ever
This Quicktip is a bit off the topic of editing and post-production but it’s a simple tip for Sunday...