Come to My Workflow Panel Thursday Nov 7 at ETE 2013
Learning how to do Specific Workflow X for Camera Y is only a temporary solution. Learning how to evaluate...
Tracking Points in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to create a “stretchy” animation by...
Darren Orange moves from role-playing games to feature filmmaking
Reactor 88 is an independent production company based near Chicago with a unique focus on creating films based on...
Quantizing in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training a few ways you can use the...
What Do I Need Compressor For?
This week on MacBreak Studio, Steve Martin from Ripple Training gives us some good reasons for using Compressor for...
DCP (Digital Cinema Package) workflows for After Effects and Premiere
Fandev has released CuteDCP for Premiere (Mac / Windows), a DCP (Digital Cinema Package; explained) render tool for Premiere...
Split, cut, join without recompression
Sometimes even crude jumpcuts are preferable than trying to gather nearly forgotten source files, or recompressing an old madly-compressed...
Working with Avid Artist Series (Control, Mix, Transport or Color?) New Eucon 3.01
Avid Artist Series take deep hands-on control of your favorite EUCON-enabled audio and video software (like Avid Media Composer...
Rampant Design Tools: Drag, Drop & Go Effects
Plug-in free and platform/software agnostic, these drag & drop effects, lights, backgrounds, mattes and styles will give your video...
Keying a Shot in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to key a shot in Final...
