ART OF THE CUT with editor Andrew Weisblum, ACE on “Alice Through the Looking Glass”
You can’t pigeon-hole Andrew Weisblum, ACE. Each project is so different from the next: “The Darjeeling Limited,” “The Wrestler,”...
Useful Tools For Editors: Now Shipping Edition
The time around NAB, and actually at NAB, is when we see a lot of products announced and demoed....
Let’s Edit with Media Composer – ADVANCED – BCC Pan & Zoom
In this lesson, Kevin P McAuliffe steps up his Pan & Zoom game by looking at BCC’s Pan &...
REVIEW – Screenflow 6 from Telestream
When you do a ton of online training, like I do, there are two hugely important factors that you...
Let’s Edit with Media Composer – ADVANCED – 4KFree.com
In this lesson, Kevin P McAuliffe gives Avid Media Composer editors the scoop on anther great, FREE resource, and...
Let’s Edit with Media Composer – ADVANCED – Custom Transitions
In this lesson, Kevin P McAuliffe shows you how to create a custom transition to work with in your...
ART OF THE CUT – Clayton Condit cuts “Voice from the Stone” on FCP-X
Art of the Cut takes a deep dive into what it’s like to cut a feature film in FCPX...
Getting Your Foot in the Employment Door
I recently had a long time employee, venture forth into new and exciting opportunities for herself. I began the...
My response to recent post-production articles making the internet rounds
The writers here at ProVideo Coalition have never hesitated to shy away from challenging another blog post that we...
ART OF THE CUT – with “Captain America: Civil War” editor
Editor Jeffrey Ford, ACE has been cutting films as an editor since 2000 with “The Yards.” And also cut...
