Let’s Edit with Media Composer – Creating Film Looks with BCC
In this lesson, Kevin P McAuliffe talks about how to create organic looking film looks inside of Avid Media...
Golf Channel’s Sony PetaSite Storage
With the help of Sony, NBC’s Golf Channel can tee up the archive, drive home the petabytes and nail...
ART OF THE CUT with Oscar Winner Hughes Winborne on “Fences”
Hughes Winborne, ACE, is an Oscar-winning editor (Crash, 2005) who has cut more than two dozen feature films including...
Get Started Fast with Media Composer for Adobe Editors — Part 4
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
Let’s Edit with Media Composer – ADVANCED – Recording Voice Overs
In this lesson, Kevin P McAuliffe talks about how to record voice overs directly into Avid Media Composer using...
Get Started Fast with Media Composer for Adobe Editors — Part 3
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
Get Started Fast with Media Composer for Adobe Editors — Part 2
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
ART OF THE CUT with “Nocturnal Animals” editor Joan Sobel
Joan Sobel, ACE began as first assistant on such films as both of Quentin Tarantino’s Kill Bill films. She...
Let’s Edit with Media Composer – ADVANCED – Background Services
In this lesson, Kevin P McAuliffe talks about a great, under-utilized feature in Avid Media Composer, and that is...
Get Started Fast with Media Composer for Adobe Editors — Part 1
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
