Tapeless Workflows, a Jump to the Past?
We in the post world are on the verge of an explosion in media management, and it isn’t a...
Final Cut Pro to YouTube
What people tend to forget is that you are sending YouTube a master for them to compress; therefore, send...
The Compleat Idiot’s Guide to RED Post on a Budget
This is by no means a definitive manual on how to post RED footage. Rather, this is how I...
Sweet Music Videos from Photos
Looking for something different? I discovered Animoto at this year’s SXSW conference… Load up your photos, pick a song,...
Final Cut Pro – The Dividing Line
When dragging tracks in the Timeline, where you drag is as important as what you drag. Careless dragging may...
Locking HDMI cables!
Left: normal HDMI cable. Right: locking HDMI cable. Note the cantilevered paddle with two tiny retention hooks. A colleague...
Free Non-Linear Editing Software
I was looking for some lightweight NLE/cutting software solutions recently. Obviously Windows users have Windows Movie Maker, and Mac...
Media 100 Mac Intel Codecs Available
After customer complaints, Media 100 relented and and is offering its latest codecs for Intel-based Macs as a free...
RED? Or Cyan?
In my unfair comparison of three cameras, I found that RED’s overexposed highlights went cyan and got darker than...
Red to Avid Workflow Utility
Rainer Standke, longtime participant on the FCP-L and Avid-L2 mailing lists, editor, and software developer, has released XMiL Sequencer....
