Adorama Pro 101: The Basics – The Cine Lens vs Everything Else
Recently discovered within the vaults of our video archive, Adorama is proud to present an educational series focusing on...
‘Breaking Through’ and the Panasonic DVX-200
Break dancing in New York City used to be a male dominated world. With the help of the Panasonic...
Keeping It Simple: Interview with Cinematographer Paul Koestner
Paul is originally from Kalamazoo Michigan and now resides in Port Washington, NY with his wife Deb. Paul is...
Life as an independent cinematographer, an interview with Nancy Schreiber, ASC
I had the pleasure of speaking with Nancy Schreiber, ASC, who will be featured at the upcoming Manhattan Edit Workshop...
Tips And Gear For Your First Paid Video Gig
So you have booked your first video gig and you have a small amount of startup capital to get...
Run & Gun Shooting with a Blackmagic URSA
It’s no understatement, the Blackmagic URSA is a “husky” camera. Some could even say it needs to go on...
Experiencing Alex Buono’s Visual Storytelling 2 Tour
I’ll be the first to admit that I’ve turned into someone who thinks everything I need to know can...
Best Sony Cameras for Video
Sony continues to kick out more and more cameras, yet which one is best for you and the job...
Blockbusters Invade Cine Gear Expo 2015
Cine Gear Expo, being held at Paramount Studios June 4-7, 2015, is the place to go if you want...
TLCI and Camera Color: What a Difference a Prism Block Makes
TLCI’s developer says prism cameras and single sensor cameras respond to color in the same way. Thanks to Panasonic,...