The Great NLE Debate and DaVinci Resolve
Which NLE is the right one for you? The Nashville Film Guild took the matter to a Presidential style...
Art of the Cut with Dan Zimmerman, A.C.E. of “Mazerunner: The Scorch Trials”
Art of the Cut is taking you behind the scenes with three movies today, all cut in the last...
Art of the Cut with Steve Audette of FRONTLINE
Steve Audette, ACE has been editing at WGBH since 1990, mostly as the Senior Editor on two of PBS’s...
Art of the Cut with the editors of “Hunger Games – The Mockingjay Part 2”
Today’s Art of the Cut interview are the co-editors of the blockbuster film, “The Hunger Games: Mockingjay, Part 2,” with a...
What does Baselight’s new announcement mean to you?
Now available, Avid and NUKE free plugins allow color grade to be imposed in real time; simple upgrade to...
Art of the Cut: The Martian with Cheryl Potter
A follow-up to my interview with 2-time Oscar winning editor, Pietro Scalia and “The Martian.” To dive deeper into workflows, project...
Art of the Cut with Pietro Scalia on The Martian
In this installment of Art of the Cut, we talk to multi-Oscar-winning editor, Pietra Scalia about The Martian, his...
Audio post workflow for the feature film, “War Room”
This is the third and final article in the post production process for the theatrical feature film War Room which I...
Post Production workflow for feature film “War Room” Part 2
This is the second in a three part series on the post production workflow of the Number 1 movie,...
Full workflow for editing the #1 Feature Film, “War Room”
“War Room,” the movie I co-edited, was Number 1 at the box office in the USA Labor Day weekend...
