Media Composer 101 – Lesson 20 – Basic Transitions
In this lesson, Kevin P McAuliffe goes back to basics and continues his talk about editing in your Media...
ART OF THE CUT with the editor of “The Jungle Book,” Mark Livolsi, ACE
Editor Mark Livolsi, ACE, started out as an apprentice editor on “Wall Street” (1987), moving up through the ranks...
Videoguys Early Take from NAB Show including Specials and some interesting News
The NAB Show in Las Vegas is always packed with lots of interesting news including product announcements, new industry...
Avid Connect 2016 Keynote at NAB 2016
Here we are at the Avid Connect 2016 event at the Wynn in Las Vegas. This is the third...
ART OF THE CUT with Oscar winning editor: Martin Walsh
In the Art of the Cut interview series I’ve had the pleasure to interview several Oscar-winning editors. This one...
Art of the Cut with “Batman v Superman” editor, David Brenner
David Brenner has 23 credits as an editor going back to the 1980s with “Talk Radio,” “Born on the...
How does Avid’s Artist | DNxIO perform in a post-production environment?
I’ve been wanting to check out the Artist | DNxIO ever since it was announced. Being able to easily...
Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 3
With the move to larger then HD projects, there have been some changes in Media Composer that editors need...
Sleuthing an Avid Media Composer startup beach-ball
Have you ever had Avid Media Composer hang upon startup? If not then someday you probably will. Depending on...
ART OF THE CUT with MARGARET SIXEL, editor of “MAD MAX: FURY ROAD”
This year’s Best Editing Oscar went to Margaret Sixel for “Mad Max: Fury Road.” Sixel worked on the project...
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