After Effects and Alexa – Part 1
The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called...
After Effects Menu Command ID’s
Largest list of Command ID’s available for After Effects.
The Desktop Video Revolution – Part 3
The video production industry has radically changed over the past 20 years, a period of time that can be...
The Desktop Video Revolution – Part 2
The video production industry has radically changed over the past 20 years, a period of time that can be...
The Desktop Video Revolution – Part 1
The video production industry has radically changed over the past 20 years, a period of time that can be...
Wriggle it – just a little bit
Hand drawn and stop motion animations have a very distinct look. Every frame is slightly different, and when played...
Animating the Hand of God
In the film & TV industry, voice-over narration is sometimes referred to as “the voice of god”. So when...
Inside the After Effects camera
One of the most powerful features of After Effects is the ability to work with 3D layers and a...
After Effects for print + ETLAT (edit this, look at that)
Note advice on ETLAT updated for AE 2015 at bottom… PRINT A couple of years ago, Jesse Michael Newman released...
Chromatic aberration: creation and fixes with After Effects
A few years ago there was a spate of interest in chromatic aberration — fixing footage containing the color fringing, but...
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