LUFS audio standards update for May 2018
Since I published How many LUFS for ideal audio loudness? Why can’t we be friends? in March, both Adobe...
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How many LUFS for ideal audio loudness? Why can’t we be friends?
The recent audio loudness war reminds me of the 1975 hit song Why can’t we be friends?. As I...
Monitoring challenges when using multiple digital USB mics simultaneously
Digital USB microphones have improved in quality and multiplied in availability on the market. This can simplify systems and...
Review: Cleanfeed for remote HQ audio interview recordings: part 1
Cleanfeed is an online service that uses the Opus audio códec and the Chrome browser to allow for ISDN...
Digital Sprockets transfers & restores classic Mexican films
Back in 2015, I published an article about why Digital Sprockets of México City prefers to edit video with...
My multitrack crossgating audio workflow to eliminate crosstalk
Perhaps the most efficient way to resolve the problem of crosstalk in multiple microphone recordings is to use a...
Review: AT875R shotgun mic & AT8415 shockmount from Audio Technica
Most people think about using a shotgun mic for dialog, and mainly outdoors. However, the US$169 AT875R from Audio...
With RINGR, say adiós to Skype for remote recorded audio interviews
For years, many audio storytellers have counted on Skype to create remote audio recordings with guests and co-hosts. In...
First look: iLoud Micro Monitor from IK Multimedia
I am again honored to be among the first tech consultants/journalists to receive another innovative product from IK Multimedia...
How I interviewed presidential candidate Gary Johnson with a digital mic from Italy
Last week, I had the pleasure and honor of conducting a brief, in-field interview with US presidential candidate Gary...
