Cine Gear LA 2026 brought together some of the most exciting filmmaking technology we’ve seen this year, from major...

The palindromic year of 1991 brought us many good things, including the composition of the wonderful song «El castellano...

The newly launched OpenArt VFX enables users to surgically change any specific part of a video — frame by...

While preserving the grip performance professionals rely on across every shape — flat, round, square, and irregular — this...

The new models, designed to support a wide range of applications, including remote learning, corporate content creation, and sports...

We are just a couple of months past NAB 2026 and DaVinci Resolve 21, which was released as a...

Designed to extend the capabilities of the VENICE 2 platform, the new RIALTO 65,  now in development, is planned...

Perfectly sized for streamlined DIT and DP workflows, OLED 16 gives you infinite contrast, true blacks, and precise color reproduction with...

Atomos will be demonstrating, at Cine Gear Expo, the Sumo PRO-19 monitor working with Fujifilm’s new ETERNA 55 filmmaking...

Every so often, the BBC proudly puts out a press release that it has found a long-lost episode of...

One of the first reactions editors have when entering Color Mode in Adobe Premiere is confusion. The timeline—the structure...

The new modular SNAPBAG for Vortex2 comes with SNAPGRID and SNAPCLOTH diffusion options designed for both single and dual-fixture...

Cine Gear Expo has announced the recipients of its 2026 Awards of Excellence, honoring three of the cinematography industry’s...

In this episode of Editors on Editing, Glenn Garland is joined by editors James Seddon-Brown, David Moon and  Matthew...