FxFactory Pro and MOTYPE Review
Most people I know in this industry love new gear. And in the world of desktop video applications and...
See the Beat: Video-driven composing
First things first. I’m not a musician. I don’t play one on TV. I’d like to be – I...
Past Issue: February 2009
The articles below were included in the February 2009 edition of the PVC Pipeline | Production newsletter. If you...
The GT35pro meets the RED camera
The GT35pro meets the RED camera from Scott Simmons on Vimeo. A few weeks ago I was lucky enough...
Editing in Motion Part 1
Introduction: Why Edit in Motion? Many motion graphics projects are built around a video edit which is then enhanced...
Panasonic’s AG-HPX300: full-res camcorder with AVC-I under $11K
Panasonic announced the AG-HPX300, a 1/3″, 3-MOS shoulder-mount P2 camcorder with a 17x Fujinon interchangeable lens (the Euro version...
Composite Modes in Final Cut Pro
The job of an editor is usually to spin straw into gold: Take hours of raw footage, edit it...
RED+FCP: ProRes Clips from Log and Transfer
In my previous RED+FCP article I looked at importing RED clips using Log and Transfer, and focused on using...
Zacuto Zwing-away Review
In our coverage of CineGear 2008, FreshDV got a peek at an early mockup of Zacuto’s Zwing-away adapter, a...
Lowel EDU – Free Lighting Tips and Tutorials
On the off-chance that we haven’t mentioned this resource before, you definitely need to check out Lowel EDU. It’s...
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Arcturus Vision Camera elevates Steam Frame’s VR experience
Post Production
