Using RED Footage Proxies in After Effects
Many people like to shoot RED source footage these days, even if the final destination is lower-resolution video. I...
Blend Modes in Adobe Premiere Pro
As a motion graphics artist, one of our favorite tricks to enhance an uninspiring clip is not to use...
Daily Inspiration – The most realistic CG you’ve ever seen
This commercial spot was done entirely with CG, and it’s simply beautiful. I would never have guessed this was...
Daily Inspiration – Graphic Animation, Subaru Style
180-degree shutter angle is the rule of thumb when shooting film & video. It almost always makes your images...
Deeper Modes of Expression, Part 11: Dreaming in Color
The next-to-last subject we’re going to cover is manipulating color inside expressions. This is powerful, as so much of...
Quick Look: Panasonic AG-AF100 MFT Cine-Style Camcorder
Thursday, 4 November 2010: Panasonic’s Jan Crittenden Livingston appeared at Hollywood rental and sales facility Birns & Sawyer to...
Remembering the DPS Spark
Over the weekend I cleared out a bunch of old gear, including the capture card that launched a revolution:...
Essential After Effects Information
Every After Effects user should bookmark the Region of Interest blog by Todd Kopriva of Adobe. Todd was the...
Deeper Modes of Expression, Part 10: Random Numbers
Last month, I discussed using the wonderful wiggle expression to add randomization to your animations. However, wiggle is but...
Social Network gets RED, and really virtual
I’ve been as absorbed as anybody lately in the buzz surrounding David Fincher’s new movie, Social Network-his and writer...
