RED+FCP: Native REDcode Importing
Last November, RED Digital Cinema Camera Company released an installer adding RED functionality to Apple Final Cut Studio 2:...
Please allow me to introduce myself
Please allow me to introduce myself …. Hi, I’m Scott Simmons. you may remember me from such such blog...
Wiggle Transform Tips
A small but very useful feature slipped into After Effects CS4 was a new Wiggle Transform operator for Shape...
Color Correction Tutorial #11
After a brief hiatus, my color correction tutorials are back. This tutorial is about 8 minutes long and provides...
Why capture HDV via HDMI?
For many reasons explained in my recent article, it makes a lot of sense to capture your HDV footage...
Realistic Screen Compositing
The “Realistic Screen Compositing” tutorial shows a simple yet effective way of reintroducing an existing screen reflection back into...
Syntheyes 101
Learn Syntheyes, a 3D motion tracking application. I’ll show you step by step how to import, track, solve and...
Avid Gems 9
This column on Avid tips and tricks was originally designed to include hidden “gems” from the Avid user manual,...
Calibrated Codecs
Need to use MXF media (P2 DVCPRO/50/HD and AVC-I, IMX, XDCAM) natively in Final Cut Pro, or in Windows...