After Effects Hidden Gems Weekly: the Transform effect
One of the secrets to truly learning After Effects is understanding its internal render order (sometimes called the “order...
Ghosts, holograms, and the quest for immersion
Not all videos are destined to be broadcast on TV, or even viewed on a computer screen. While building...
Long Term Test: Dell Precision M3800 laptop
If you maintain a well trafficked blog for any period of time (it’s hard to believe The Editblog will...
MAXON and Cinema 4D are coming to a town near you
We’ve detailed how well Cinema 4D (C4D) and After Effects work together, but at events like NAB and SIGGRAPH...
iMovie adds 4K UHD & the often hazardous ±60 fps distribution
A few weeks after adding 4K UHD to iMovie for iOS 9 (and Adobe’s adding it to its Premiere...
Media Composer 101 – Advanced – Multi-Channel Audio Exports
In this lesson, Kevin P McAuliffe talks about Multi-channel audio exports from Media Composer, and how DNxHD doesn’t always...
Skimming tricks in Final Cut Pro X
This week on MacBreak Studio, I show Ripple Training’s Steve Martin how you can use clip skimming to quickly...
After Effects Hidden Gems Weekly: Fading Multiple Layers
The strength of After Effects is its ability to composite together a stack of layers to create a compelling...
Art of the Cut with Pietro Scalia on The Martian
In this installment of Art of the Cut, we talk to multi-Oscar-winning editor, Pietra Scalia about The Martian, his...
After Effects Hidden Gems Weekly: Pixel Motion Blur
When you shoot a fast-moving object with a longer shutter time (half of the frame’s duration is the typical...
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