Custom monochrome effects in DaVinci Resolve

Written by Mark Spencer

November 11, 2015

In this episode of DaVinci Resolve in Under 5 Minutes, Alexis Van Hurkman teaches you how to create highly...

After Effects Hidden Gems Weekly: Wiggle Behaviors

Written by Chris and Trish Meyer

November 10, 2015

One of the secrets to creating eye-catching motion graphics is to make sure everything keeps moving, instead of settling...

What does Baselight’s new announcement mean to you?

Written by Steve Hullfish

November 10, 2015

Now available, Avid and NUKE free plugins allow color grade to be imposed in real time; simple upgrade to...

Connected Clip Tricks in Final Cut Pro X

Written by Mark Spencer

November 10, 2015

Connected clips in Final Cut Pro X are anchored to a clip in the primary storyline via a connection...

Art of the Cut with “Brooklyn” editor Jake Roberts

Written by Steve Hullfish

November 8, 2015

Today’s Art of the Cut interview is with editor Jake Roberts, who, along with director John Crowley, sculpted “Brooklyn”...

REVIEW – BCC 10 for AVX

Written by Kevin P. McAuliffe

November 6, 2015

BCC 10 is the biggest step forward for visual effects in your Media Composer NLE in the last 10...

3D superhero titles

Written by Mark Spencer

November 5, 2015

Part 2 of Steve Martin’s excellent tutorial on creating beautiful 3D text in Final Cut Pro X. Miss part...

Exploring 4 ways to reach a 4K Finish

Written by Jeremiah Karpowicz

November 5, 2015

4K is as hot of a topic as it’s ever been, but the challenges that are inherent with this...

Details around the new monthly, quarterly and annual subscription options from Autodesk

Written by Jeremiah Karpowicz

November 4, 2015

Subscription models have changed the way users across the industry expect to access and utilize their software. Not too...

Final Cut Pro X to Logic Pro X

Written by Mark Spencer

November 4, 2015

Many video editors turn to an audio professional to mix and sweeten their audio after picture lock. Or they...