The audio signal path in Final Cut Pro 10.3
This week on MacBreak Studio, Steve Martin from Ripple Training explains how Final Cut Pro 10.3 now handles your...
HitFilm Pro 2017 steps it up
FXHOME has released HitFilm Pro 2017, the latest version of its all‐in‐one video editing and visual effects app. With...
In Search of the New Mac Pro
It’s the end of 2016, over three years since Apple announced the new, sleek monolith Mac Pro (affectionately?) dubbed the...
HP Z2 Mini Workstation supports non-integer framerates like 23.976, 29.97 and 59.94 fps
HP just unveiled the world’s first mini workstation designed for users in CAD and other compute-intensive industries. Since our...
FireFly, color grading with French tone
FireFly Cinema, a French based developer of affordable color grading and dailies processing applications, offers a complete suite of...
Let’s Edit with Media Composer – You Ask, I Answer – Dealing with Corrupt Media
In this lesson, Kevin P McAuliffe answers a viewers question, where he’s run into trouble with a project where’s...
Blur Studio: creating commercial spots for video games
Blur Studio worked with ad agency Argonaut San Francisco recently to create an action packed 90-second national commercial for...
Media Composer Editors: Read this before updating to AE CC 2017
I’m a HUGE After Effects user. In my day job as a commercial editor, I use it just as...
Radeon Pro WX: the world’s fastest cards
The Radeon Pro WX Series is AMD’s powerful, new workstation graphics solutions designed to meet the evolving needs of...
ART OF THE CUT with the editors of “DOCTOR STRANGE”
Marvel Studios delivered its latest super-hero to the big screen with the help of editors Sabrina Plisco, ace and...
