Rating and Filtering in Final Cut Pro X
Guest Bill Davis takes us back to the basics this week. One of the foundational building blocks for working...
Cineform in Creative Cloud: render quality settings + more
GoPro Cineform, aka the SMPTE ST 2073 VC-5 video compression standard, is a cross platform codec that in Creative...
HitFilm 3 Pro for free if you own HitFilm Plug-ins
FXHOME has announced HitFilm 3 Pro, now available for pre-order for release in late November 2014 for just $299....
Adobe Anywhere for video 2014.1
Adobe Anywhere for video is an enterprise-only solution that serves collaboration and remote workflows with version tracking and project...
Using Reward-based Crowdfunding to Build Exposure: The Results
Near the start of our reward-based crowdfunding campaign I wrote a piece for PVC outlining the ‘partnership approach’ we...
Review: Átomos Spyder monitor calibration system
Last year I published a short article when Átomos announced its Spyder monitor calibration system. Now I am privileged...
‘Gone Girl’ workflows with Premiere & After Effects
You can view Adobe’s panel discussion with the editorial and post-production team behind the movie Gone Girl from director David...
Introducing NUKE 9: The biggest evolution in NUKE’s history
Leading creative software developer, The Foundry, today unveiled NUKE 9, the biggest ever shake up of its NUKE technology,...
Adobe ‘Gone Girl’ panel: Premiere & After Effects
You can view Adobe's panel discussion with the editorial and post-production team behind the movie Gone Girl from director David...
One Light Corporate Image
In today’s lesson, I am shooting a corporate image of someone in a call center. I have done these...
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