Are you performing end of year hard disk maintenance?
This little gem of a tweet tweeted to the surface of Twitter the other day from Richard Taylor (of...
Canon C500 Mark II Unboxing and First Impressions
Just before Christmas, PVC contributor and Filmtools product reviewer Kenny McMillan got his hands on the highly anticipated Canon...
7 free ways to upgrade your filmmaking skills for 2020
The Christmas break is one of those few times you get to step away from urgent things. Why not...
Art of the Cut Podcast Eps. 27 (w/ “1917” Editor Lee Smith, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Blackmagic ATEM Mini video mixer with SHY 1080p cameras
The US$295 1080p Blackmagic ATEM Mini video mixer (“switcher”) is amazing for the price, especially with its 10-bit 4:2:2...
ART OF THE CUT with Oscar-winner Lee Smith, ACE on “1917”
Lee Smith, ACE won an Oscar and ACE Eddie for cutting Dunkirk. He was also nominated for ACE Eddies...
Let’s Edit with Media Composer – What’s New in 2019.12?
Well, we’re going to round out this decade with the last “Let’s Edit” tutorial and we are going to...
After Effects & Performance. Part 6: Begun, the core wars have…
When we look back over the last 25 years of After Effects’ history, and how its performance has evolved,...
ScreenFlow 9 – In Depth
I’ve been doing tutorials online for a long time now, and I’ve done them on both Mac and Windows,...
The Power of RED Workshop: discover the advantages of RED at Filmtools
Filmtools starts the year with the Power of RED, a first workshop, under the theme Why Resolution Matters, from...
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