Adobe MAX 2020: Virtual and Free
Registration is open and free for all for Adobe MAX 2020, Adobe’s big creativity conference to be held online October 20...
After Effects Classic Course: Integrating with Adobe Audition
As we get asked to do more and more on each production, visual artists will be well-served to have...
Accented domains for websites, including ñ or diaeresis/tréma/umlaut
Even though I have been using them for many years, there are many myths and confusion about the topic...
ART OF THE CUT with the editor of “El Camino: A Breaking Bad Movie”
In this episode, I’m talking with Skip MacDonald, ACE. Skip is up for a Primetime Emmy nomination for Outstanding...
Hollywood, How Did You Get Here? Podcast Eps 3 (Cinematographer Paul Andresen)
On today’s episode of “Hollywood, How Did You Get Here?” Tim sits down with reality cinematographer Paul Andersen. Paul has...
Review: Blackmagic UltraStudio Recorder 3G helps alleviate type 3 camera shyness…
This is my review of the new US$115 UltraStudio 3G Recorder interface, which supersedes the prior UltraStudio Recorder, which...
Art Of The Cut Podcast Eps. 62 (“The Mandalorian” Editing Team)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Final Cut Pro X updated to 10.4.9 – audio crossfades and more
Apple dropped a new version of their Pro Video Apps with updates to Final Cut Pro X, Motion and...
Silhouette Paint for Adobe: a powerful roto/paint/tracking toolset for editors and vfx
Silhouette Paint from BorisFX goes far beyond the roto/paint/tracking tools found in Adobe After Effects (and not found in...
ART OF THE CUT with the Emmy nominated editors of The Mandalorian
Today, I’m talking with the editing team of Disney Plus’s The Mandalorian which received three of the eight nominations...
