Amazon’s new Video Direct allows indie access to sell & rent content via Amazon Prime
Amazon has just launched its new Video Direct. This new access allows independent video producers to upload and earn...
Audiovisual451: International borders for digital media distribution are finally diminishing
It might surprise you to know that I still own and use a multi-region DVD player to be able...
NAB 2016: Google Play Music finally adds on-demand radio
After waiting many months after the initial announcement in October 2015, it is now clear that Google was waiting...
Understanding Adaptive Streaming with Ustream
As video editors in the modern age of the Internet we have to deal an awful lot with Internet...
Why the AMP Project improves our web content distribution
In case you are unfamiliar, the AMP Project (Accelerated Mobile Pages Project) is an open source initiative that came...
iTunes, SSL & HTTPS for SEO, and Let’s Encrypt
Shortly after Google’s decree of 2014, where the search giant declared that search results would now favor encrypted sites...
All audio production & distribution should go 48 kHz. Learn why.
Hello to our friends at the software development teams at ACX, Apple (GarageBand team), Audible, Bossjock, Spreaker and Wooji...
The making of a cross-platform audio/video multimedia ebook
In August of 2015, I published my first review of Amazon’s free Kindle Textbook Creator (KTC) program to create...
Live TV versus prerecorded: how to take best advantage of each
Producing a TV show strictly for a live TV or Internet audience has both advantages and disadvantages. The same...
Live streaming essentials from your multicam studio
This article will cover details you need to know to plan for live streaming, whether from a standard TriCaster...
