Adobe Hardware Performance White Paper
One of the early advantages of desktop video production software over dedicated hardware was that it could run on...
AJA Releases SRExpress™ Software Enabling File Transfer from Sony SR-R1 Recorders
AJA Video Systems, a leading manufacturer of professional video interface and conversion solutions, today released AJA SRExpress software to...
Panasonic Announces New F Series of High-Speed, High-Capacity P2 Cards
Panasonic has announced a new generation of P2 solid-state recording media, the F series, including support of recording up...
Review: Sony NEX-FS700 “Super35” LSS AVCHD Camcorder
The NEX-FS700 (US$8000; $8600 with 18-200mm zoom lens) is an E-mount Large-Single-Sensor camcorder with the back end, user interface,...
Cine Gear Expo LA 2012 – Assorted Photos
Cinoflex power-distro baseplate for the Canon C300, plus accessories. Yes, you can bulk up a C300 to the size...
LIGHTING: Reinventing the Cooking Show for Driscoll’s Berries
I don’t watch a lot of cooking shows, but the ones I see are not lit the way I...
CAMERAS: Avoiding the Big Gotcha When Shooting High Speed at Night
Adam Wilt and I presented a talk about the new Sony FS700 camera to an audience at CineGear 2012....
FOR-A FT-ONE camera – Cine Gear LA 2012
We dropped by to check out the 4K FT-One slow motion camera from FOR-A. One of the interesting notes...
Zacuto – Cine Gear LA 2012
At the Zacuto Cine Gear booth, we got a look at their top-handle solution for the FS100 and RED...
BBC Radio One Installs ATEM 2 M/E Production Switcher
Blackmagic Design has announced the ATEM 2 M/E Production Switcher, along with the Blackmagic Design HyperDeck Studio, will be...
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