iZotope Joins the Boris FX Family
First, a bit of the backstory as we know it. iZotope is widely recognized as one of the go-to...
X By XREAL a01+: your “pocket cinema” for only $299
Created to bring big-screen AR entertainment to a wider, more mainstream audience, the XBX a01+ delivers a virtual screen...
Great ways to use Auto Mask in Final Cut Pro
The big three editing apps (Final Cut Pro, Premiere, Resolve) all copy features from one another, sooner or later....
Tool Tip Tuesday for Adobe Premiere: Show Video Thumbnails
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition When looking at clips on an Adobe Premiere timeline, the...
Digital Camera Systems needs your lens metadata
The survey now announced aims to gather anonymised data on how lens metadata is captured, transferred, preserved and used,...
Adobe Premiere is adding a Generative Media Tool
Adobe is continuing the generative AI march forward in Premiere (beta) with the new Generative Media Tool. It’s a...
Topaz Video – In Depth Review
Topaz Labs have been the dominant name in AI upscaling for the best part of a decade now and...
Tool Tip Tuesday for Adobe Premiere: Never See Red Again: The Hard Limiter on Your Master Output
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition When your audio hits the red, the top...
Color Mode in Premiere (beta): Color and Contrast Controls — Zones, Not Lift/Gamma/Gain
If you’re used to lift, gamma, and gain, you’re used to thinking in three parts: shadows, midtones, and highlights....
Color Mode in Premiere (beta): The Divide and Conquer Grading Workflow
Most editors approach color as a clip-by-clip task. That model works for simple timelines, but it does not scale....
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