Colour grading in your DSLR or in post
While for many cinematographers the ideal path goes through a colour correcting and colour grading process in post, something...
Art of the Cut with “Grey’s Anatomy” and “Scandal” editor, Joe Mitacek
Today, Art of the Cut discusses cutting the long running hit TV series, “Grey’s Anatomy” with its lead editor,...
Cine Gear Expo 2016: A Closer Look at the G-RACK 12 from G-Tech
One of the bigger announcements to come out of NAB was G-Tech’s release of the G-RACK 12, which won...
Let’s Edit with Media Composer – ADVANCED – 4KFree.com
In this lesson, Kevin P McAuliffe gives Avid Media Composer editors the scoop on anther great, FREE resource, and...
Free Function Friday getLabelColorNames
Ep. 36 getLabelColorNames Free Function Friday
360VR compositing in Final Cut Pro X
This week on MacBreak Studio, we move to Part 3 of our exploration into working with 360VR footage in...
Let’s Edit with Media Composer – ADVANCED – Custom Transitions
In this lesson, Kevin P McAuliffe shows you how to create a custom transition to work with in your...
VR is seriously cool. But is there money in it?
If you spent just a few minutes at NAB this year you would have picked up the three big...
ART OF THE CUT – Clayton Condit cuts “Voice from the Stone” on FCP-X
Art of the Cut takes a deep dive into what it’s like to cut a feature film in FCPX...
Review – The Tangent Ripple affordable color grading control surface
Many years ago I wrote an article called Poor man’s color control surface. This was a time before Resolve...
PVC Favorites
Adobe Insights
