After Effects Classic Course: Additional 3D Features
In addition to stereoscopic “3D” viewing which we discussed in our last post, in that same 2011 release Adobe...
After Effects & Performance. Part 15: 3rd Party Opinions
3rd Party Opinions After Effects was first released in 1993, and since then it’s established a healthy ecosystem of...
ART OF THE CUT with John Axelrad, ACE and 1st AE Jared Simon on editing “Antebellum”
Today, we’re talking about the feature film Antebellum with editor John Axelrad, ACE. I’ve interviewed John before for his...
Inexpensive HDMI capture sticks solve camera shyness types 1, 2 & 3 in many cases
For under US$20, these new —often unbranded— HDMI capture sticks have flooded the market to “compete” with the renowned...
Art Of The Cut Podcast Eps. 66 (“Antebellum” Editors John Axelrad, ACE & Jared Simon)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
3D Tracking in Final Cut Pro X
This week on MacBreak Studio, I take a look at 3D tracking using a private beta version of mTracker...
Sony Xperia 1 II’s Cinema Pro: non-integer framerates?
My long time readers know that exact 30 fps hasn’t been a television standard since before 1953. That was...
Review: iZotope RX 8
iZotope RX 8 Most digital audio and video editing applications come with a robust set of audio plug-ins, but...
Review: Invisor media file inspector for macOS
I have written a fair amount about about the differences about VFR (variable framerate) used with most Android, iOS...
ART OF THE CUT with the editors of HBO’s Big Little Lies and Sharp Objects
Rarely do we get the directors perspective on Art of the Cut, but as we discuss two binge-worthy TV...
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Oppo Find X10 Pro Max: triple 200MP camera cluster and 8K video
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