DoPchoice introduces SNAPBAG Round for Astera QuikBeam
Designed exclusively for the Astera QuikBeam, the SNAPBAG Round maintains a compact footprint both when packed and fully set...
Panasonic DMW-DMS1: audio quality without complexity
Designed for creators and professionals who want uncompromising audio quality without complexity, the DMW-DMS1 is compatible with the LUMIX...
NIKON’S NEW NIKKOR Z 70-200MM F/2.8 VR S II LENS
Nikon has announced the NIKKOR Z 70-200mm f/2.8 VR S II, a premium-grade fast telephoto zoom lens for full-frame/FX...
Sigma launches 35mm F1.4 DG II | Art and 15mm F1.4 DC | Contemporary
Besides the announcement of the new AF Cine Line with AF Cine 28-105mm T3 FF, Sigma also introduced two...
Leitz’s LPL Mount for Sony Venice Extension System Mini now available
Small and flexible, this mount system from Leitz makes it easy for rentals and productions with quick changes between...
Matthews’s introduces FlexiMount and Phone Mount Kit
Pairing the super-portable FlexiMount with a versatile Phone Mount, the kit transforms a smartphone into a complete production rig...
Tamron 35-100mm F/2.8 Di III VXD lens for Sony E and Nikon Z
Developed in response to user demand, the Tamron 35-100mm F/2.8 Di III VXD is remarkably compact and lightweight despite its fast...
Mandler 35mm F2: affordable Leica lens reproduction sold out
As the inaugural product for the Mandler brand, the Mandler 35mm F2 aims to provide users with a cost-effective...
MagStand: redefining what a lightstand should be
Tested by photographers as Lindsay Adler or Miguel Quiles, the MagStand is ready to go and has already been...
Stabi One 10×20: stabilized monocular reinvents digiscoping
No tripods. No heavy telescopes. No setup. A whole new world of mobile long-range imaging begins as Stabi One...
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Post Production
Desert Palms captured with Blackmagic URSA Cine Immersive
Post Production
