ARRI Signature Primes: the conscious design of softness
This is a story about a lens family whose soft focus backgrounds were consciously designed, and the lens mount...
GoPro HERO7 Black Hands-on Review
I was invited to a private GoPro pre-release event with a handful of other media folks so we could...
A Closer Look at the Thunderbolt3 Io 4K Plus from AJA
During my recent look at ProRes Raw here on PVC, I was also given a chance to take AJA’s...
Hands on with the Matthews Infinity Arm
This past Cine Gear I was walking around the lot checking out the wares and made a stop by...
Product Review: OWC Thunderbolt 3 Dock
I was a big fan of OWC’s original Thunderbolt 2 Dock (I still am and use it daily) so...
A Leap Into Medium Format with the Hasselblad X1D-50c
When Hasselblad offered me the opportunity to dip my toe into the world of medium format, I jumped at...
As FCPX turns 7, Apple gives us ProRes Raw, but what’s really changed?
Seven years ago we heralded in a new version of Apple’s venerable video editing app, FCPX. As a leader...
The Reality of Unscripted Television Editing
To watch the webinar that accompanies this article and talks through many of the topics laid out here in...
Jeff Foster’s NAB Show 2018 Wrap-Up
This year I went to the NAB Show in Las Vegas with two things: (1) A knee injury, thus...
Akitio Expands Thunderbolt 3 Storage and Dock Product Line-up at NAB 2018
Since I’m here in Las Vegas this week at NAB Show 2018, I’m going to meet with the folks...
PVC Favorites
Post Production
REVIEW: END BOOST – audio mixing made easy
Production
Review: Blazar Remus 1.5x anamorphic lenses
Production
