Chromatic aberration: hard edges, hue shifts, and storytelling
Accidents yield interesting truths. This is especially true in lens and camera tests, where it’s hard to know what...
Three lenses: a look at bokeh, depth of field and geometry
Some people take time off during the holidays. I borrow a half million dollars worth of camera and lenses...
Lens dynamic range: coatings, contrast and color
There was a time in the distant past when I thought of lenses as transparent glass. Film and digital...
ART OF THE CUT on “Black Panther” with editor Michael Shawver
Editor Michael Shawver has edited all of director Ryan Coogler’s films, starting with Fruitvale Station and Creed. He’s edited...
Lens coverage, sensor size, and pushing the limits
Sensors and lenses don’t always get along. In the HDR and UHD world, it’s important to test, test, test....
Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide
For nine months I’ve been working periodically as a trainer for the ARRI Academy. Recently we added an Alexa...
WDTV, DuMont Network and The 1948 FCC “Freeze”
Television has been with us since July 1, 1941. That is the day commercial television began with the American...
Casting the look of a camera into glass
Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I...
Relative Paths and Mixed OS
Relative Paths In Mixed OS PC/MAC Mixed OS environments tip
Large sensor lens coverage: taking old glass to the “breaking” point
Old glass and large sensors need a lot of testing. The results may surprise you. In this article I...
PVC Favorites
Production
Lighting Advice for Budding DPs
Production
When 25p beats 24p…
Production
