DVD Studio Pro: Leaving 4×3 behind for good
With the prevelance of flat screens and digital transition, it's time to stop worrying about 4×3. That statement might...
AJA + Adobe = Great High-End Workflows
I’ll be the first to admit that I don’t have the privilege of getting to work with high-end workflows...
New Red Camera Adobe Support
For a few weeks now I have been checking out the new Red Camera Adobe Importer plug-in for Premiere...
Tapeless Cinematography Workflow v2
Being an early adopter of tapeless cinematography, I generally notice these inquiries on the blogs, bulletin boards, listserves and...
Native Red support coming to Adobe Premiere Pro and After Effects
On the heels of some great camera announcements at NAB, Red has announced new support for editing in Adobe...
Compressor 3: A “virtual Cluster” Makes an Impressive Speed Boost
A large number of us do our encode/transcode work in compressor on the same single machine as we did...
Skillfully Talented or Talentedly Skillful
The video industry historically has been driven by technologists. I’m not referring to the technologists who have invented and...
The power of your personal networks — virtual and real
I’ve always been a fascinated by the Internet’s ability to facilitate social relationships. No other medium has the power...
Avid Express — RIP
I would be remiss if I didn’t post a quick something about Avid’s Monday morning announcements. First, it is...
Creating interactive web video with a tool you already know and use.
(now with an example at the bottom)Encore CS3, Premiere Pro’s trusty DVD authoring sidekick has a few new tricks...
