Adobe After Effects shines in summer blockbusters
This is the final post of our series highlighting the amazing work done by some of the industry’s best motion graphics and VFX artists using Adobe After Effects…
VFX and motion graphics experts use Adobe After Effects on “Star Trek Into Darkness”
This is the third in our series of blog posts highlighting the amazing work done by some of the industry’s best VFX artists using Adobe After Effects in…
Upping the HUD ante with Adobe After Effects
This is the second in our series of blog posts highlighting the amazing work done by some of the industry’s best VFX artists using Adobe After Effects in…
Joseph Kosinski’s film “Oblivion” showcases elegant effects created with Adobe After Effects
This is the first in our series of blog posts highlighting the amazing work done by some of the industry’s best VFX artists using Adobe After Effects in…
After Effects celebrates its 20th year!
It’s been twenty years since After Effects was created by a small start-up company in Providence, Rhode Island. Some of those brilliant minds who brought After Effects…
Hot Wheels® Double Loop Dare at 2012 X Games Heats Up Video Track with Adobe Premiere Pro
On June 30th at the 2012 X Game Los Angeles, two drivers for Team Hot Wheels™ set a Guinness World Records® title for successfully racing through a 60-foot…
Why I Use SpeedGrade
Jerome Sabourin is an award-winning cinematographer and colorist based in Montreal. He uses Adobe SpeedGrade on all his projects, including TV shows and a feature films. In this piece…
Adobe is coming to a city near you!
Join Creative Suite video experts for a free, in-depth seminar featuring the new Creative Suite 6 Production Premium. Discover the killer new features, and meet partners with complementary offerings…
Philip Bloom on why he has switched to Adobe Creative Suite 6 Production Premium
Phililp Bloom has posted a new article on his website, “Why I have moved over to Adobe Premiere CS6 from Final Cut 7”, following up on an interview…
The Girl with the Dragon Tattoo: how Creative Suite Production Premium was used
For The Girl with the Dragon Tattoo, David Fincher reunited the post team from The Social Network: Academy Award-winning Editors Kirk Baxter and Angus Wall, Light Iron Colorist Ian…
