Chris & Trish Meyer founded Crish Design (formerly known as CyberMotion) in the very earliest days of the desktop motion graphics industry. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. They were among the original users of CoSA (now Adobe) After Effects, and have written the numerous books including “Creating Motion Graphics with After Effects” and “After Effects Apprentice” both published by Focal Press. Both Chris and Trish have backgrounds as musicians, and are currently fascinated with exploring fine art and mixed media in addition to their normal commercial design work. They have recently relocated from Los Angeles to the mountains near Albuquerque and Santa Fe, New Mexico.

After Effects Classic Course: Tinting with Solids & Shape Layers

After Effects Classic Course: Tinting with Solids & Shape Layers

In the previous post we showed you how to use Photo Filter, which is an extremely easy color tinting effect. However, you don’t even need to use a plug…

After Effects Classic Course: Photo Filter

After Effects Classic Course: Photo Filter

A couple of posts ago we were talking about using Colorama for tinting an image. If you are just trying to create a simple monochromatic color cast, you might view…

After Effects Classic Course: Colorama 3 – Color Cycling

After Effects Classic Course: Colorama 3 – Color Cycling

One of the main reasons behind the creation of Colorama is to perform what’s known as “color cycling” effects. Although often associated with psychedelic animations, it’s actually an…

After Effects Classic Course: Colorama 2 – Tinting

After Effects Classic Course: Colorama 2 – Tinting

After watching the movie in the previous post, you should now be over your initial shock and fear of Colorama, and understand how it works. Now let’s put it…

After Effects Classic Course: Colorama 1 – Overview

After Effects Classic Course: Colorama 1 – Overview

The last few posts have been about both the corrective and creative uses of color manipulation. Now it’s time to get purely creative with the most over-the-top…

After Effects Classic Course: Color Balance 2 – Creative

After Effects Classic Course: Color Balance 2 – Creative

In the previous post, we showed how to perform traditional color correction duties using the Color Balance effect. In this one, we’re going to share some more creative applications…

After Effects Classic Course: Color Balance 1 – Corrective

After Effects Classic Course: Color Balance 1 – Corrective

The Color Balance effect provides an easy yet powerful way to color-correct an image without diving into a full-blown color “looks” system. However, it’s long list of…

After Effects Classic Course: Hue/Saturation vs. Color Balance HLS

After Effects Classic Course: Hue/Saturation vs. Color Balance HLS

In the previous post, we focused on the Hue/Saturation effect – but at the end, we briefly mentioned the Color Balance HLS effect which would seem to cover the same…

After Effects Classic Course: Hue Saturation Tips

After Effects Classic Course: Hue Saturation Tips

After that run of movies on blur effects, now we’re going to turn our attention to color, starting with what was one of our most-used plug-ins: Hue…

Classic Course: Lens Blur

Classic Course: Lens Blur

Continuing our look at effects that take advantage of “blur maps”, the two movies below focus on Lens Blur. This effect is a much more advanced version of Compound Blur…