Arby’s New National Ad Campaign Shot on Blackmagic Cinema Camera

Fremont, CA – June 3, 2013 – Blackmagic Design today announced that Glendale, CA based production and post house Fisher Film Works used Blackmagic Cinema Camera to film Arby’s recent “King's Hawaiian Roast Beef Sandwich” commercial, a nationally syndicated co-promotion with Adult Swim. The television spot, which features an artist painting a picture of the […]

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Together or Apart, Organizing the Fusion of Style and Balance

Together or Apart, Organizing the Fusion of Style and Balance 2

In this week's “Answers Occasionally Given,” I tackle a question about efficient scene balancing workflow; whether it's better to apply stylistic adjustments as part of one's initial grade, or separately. Then, I discuss another reader's strategy for identifying color imbalances, and how it intersects with the use of automated tools for color balancing.  As always, […]

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Video: Capturing audiences and engaging fans in today’s disruptive environment

Houston Howard, Co-Founder and Chief Storyteller at One 3 Productions, talks about the evolving face of transmedia and its importance in capturing and maintaining audiences in today's disruptive, multiplatform world. […]

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Award Winning Film “The Lunchbox” Benefits from StorageDNA’s LTO/LTFS Solution

IRVINE, Calif., May XX, 2013 — StorageDNA, Inc., a leader in intelligent storage and archiving workflow solutions for media professionals, today announced that The Bridge’s On-Set Lab is delivering significant performance increases and substantial cost and time savings with archive and retrieval workflow solution, DNA Evolution™for several feature film projects in India including winner of […]

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Video: 8 Elements of Transmedia

After checking out a bunch of transmedia projects over a period of years, I found there are certain elements that all of the best projects seem to possess. Now, each time I am either evaluating or developing a transmedia project, I give due consideration to these elements: Telling a story Using a variety of story […]

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