Daily Archives: February 27, 2012

Multi-cam Editing in Final Cut Pro X: Sync

Multi-cam Editing in Final Cut Pro X: Sync

This is the first of a 3-part series on MacBreak Studio where Steve Martin from Ripple Training and I discuss the new Multicam editing feature in the Final Cut…

Last week in After Effects

Last week in After Effects

Here’s another summary of the last week or so of news on After Effects-assorted tutorials, new and old plug-ins, scripts, expressions, and more. Jeff Foster posted…

Cuba photo travel adventure update

Cuba photo travel adventure update

You may have seen elegant editorial photos of Cuba, highlighting colorful past, music, art and poetry. Glamorous show clubs and equally glamorous tropical paradise. But Cuba has been out of…

Quick Look: Alpha A-mount Lenses on the FS100

Quick Look: Alpha A-mount Lenses on the FS100

Sony sent me an NEX-FS100 to review , and included seven additional lenses: three A-mount zooms, three A-mount primes, and the E-mount 16mm pancake. They also sent…

Quick Look: Variable ND Filters

Quick Look: Variable ND Filters

Formatt Hitech Multistop, Kenko Variable NDX, and Tiffen Variable ND filters on a Sony 24-70mmm f/2.8 Zeiss zoom. The Sony NEX-FS100 has no internal neutral density…

Third-Party Accessories for the FS100

Third-Party Accessories for the FS100

NEX-FS100 with ShotGrip handle; Hot Rod PL Tuner-S kit; Arri 32mm Ultra Prime, matte box, and follow-focus. The protean design of the NEX-FS100 cries out for…

Simulated Rack Focus for Believable Composites

Simulated Rack Focus for Believable Composites

If you’re looking to give your green screen composites another step of realism or to simulate the look of a shallow DOF with a DSLR, then this video…

The C300 short Hustle and some before and after images

The C300 short Hustle and some before and after images

Hustle from Daniel B©rub© on Vimeo. A number of filmmakers involved in the Boston Creative Pro User Group got together in January to give the new Canon…