How to make many Sony cameras worldcams (NTSC+PAL derived rates) free of charge

Written by Allan Tépper

July 14, 2025

Many Sony cameras are sadly segregated, offering only NTSC-derived framerates (i.e. 29.97 or 59.94) or only PAL-derived framerates (i.e....

DMC-FZ2500 — the worldcam camera/camcorder that fell through the cracks

Written by Allan Tépper

October 28, 2018

I don’t know how it happened, but no one from ProVideo Coalition has covered the quite compelling Panasonic Lumix...

Is the Canon EOS M50 worldcam in the US? Yes or no?

Written by Allan Tépper

September 12, 2018

When I first covered the Canon EOS M50 in Blackmagic “Pocket” Cinema Camera 4K vs competition: Canon, JVC, Panasonic...

Underwater Panasonic Lumix TS7 4K action camera vs FT7

Written by Allan Tépper

May 24, 2018

Thanks to José Antunes (who also writes for ProVideo Coalition magazine), I became aware of this new pair of...

Traditional camcorders in the era of mirrorless/HDSLR cams

Written by Allan Tépper

March 2, 2018

Mirrorless and HDSLR cameras get most of the press attention nowadays. However, there are still many content producers who...

Panasonic Lumix GH5 goes 4:2:2/10-bit/24-bit internal recording and more

Written by Allan Tépper

January 5, 2017

Panasonic has finally announced the specs of the Lumix GH5, and for those who pay attention to this type...

Canon EOS 80D for video: 6 details I applaud & 8 I dislike

Written by Allan Tépper

May 14, 2016

Canon has been justifiably criticized for the past few years for its lack of innovation in its low and...