Hullfish

AdobePost for promotion on social media

AdobePost for promotion on social media

Posting to Facebook and Twitter – not to mention other social media sites – is a great way to promote yourself. Images are always better for engaging eyeballs, but it’s…

Art of the Cut with Fred Raskin, editor of HATEFUL EIGHT

Art of the Cut with Fred Raskin, editor of HATEFUL EIGHT

Fred Raskin, A.C.E. has edited a number of great projects including 2014’s “Guardians of the Galaxy” and “Fast and Furious.” As an assistant editor, he worked on…

Art of the Cut with Dan Zimmerman, A.C.E. of “Mazerunner: The Scorch Trials”

Art of the Cut with Dan Zimmerman, A.C.E. of “Mazerunner: The Scorch Trials”

Art of the Cut is taking you behind the scenes with three movies today, all cut in the last few years by Dan Zimmerman, A.C.E., including&nbsp…

Art of the Cut with Steve Audette of FRONTLINE

Art of the Cut with Steve Audette of FRONTLINE

Steve Audette, ACE has been editing at WGBH since 1990, mostly as the Senior Editor on two of PBS’s flagship products, NOVA and Frontline. His latest documentary just won…

Art of the Cut with the editors of “Hunger Games – The Mockingjay Part 2”

Today’s Art of the Cut interview are the co-editors of the blockbuster film, “The Hunger Games: Mockingjay, Part 2,” with a fascinating discussion including the geography of editing…

What does Baselight’s new announcement mean to you?

What does Baselight’s new announcement mean to you?

Now available, Avid and NUKE free plugins allow color grade to be imposed in real time; simple upgrade to full node-locked or floating licenses if required…

Art of the Cut: The Martian with Cheryl Potter

Art of the Cut: The Martian with Cheryl Potter

A follow-up to my interview with 2-time Oscar winning editor, Pietro Scalia and “The Martian.”  To dive deeper into workflows, project management and the talented post team on…

Art of the Cut with Pietro Scalia on The Martian

Art of the Cut with Pietro Scalia on The Martian

In this installment of Art of the Cut, we talk to multi-Oscar-winning editor, Pietra Scalia about The Martian, his latest film collaboration with director Ridley Scott…

Audio post workflow for the feature film, “War Room”

Audio post workflow for the feature film, “War Room”

This is the third and final article in the post production process for the theatrical feature film War Room which I co-edited with director, Alex Kendrick. &nbsp…

Post Production workflow for feature film “War Room” Part 2

Post Production workflow for feature film “War Room” Part 2

This is the second in a three part series on the post production workflow of the Number 1 movie, “War Room.” This part details the DI conform, color…

Full workflow for editing the #1 Feature Film, “War Room”

“War Room,”  the movie I co-edited, was Number 1 at the box office in the USA Labor Day weekend and held the position through the following week.  This article…

Art of the Cut with Eddie Hamilton of Mission: Impossible – Rogue Nation

Art of the Cut with Eddie Hamilton of Mission: Impossible – Rogue Nation

Eddie Hamilton’s list of credits is envious, starting with feature film editing credits in 1998 and kicking into high gear with 2010 with the Kick-Ass movies, X…

Magic Bullet Suite review – Great for many but not for me

Magic Bullet Suite review – Great for many but not for me

The interface is beautiful and minimizes visual clutter. Stuff slides onto screen when you need it and slides off the screen when you don’t. This keeps your eyes on…

Art of the Cut with Sidney Wolinsky

Art of the Cut with Sidney Wolinsky

On this installment of Art of the Cut, Sidney Wolinsky talks about cutting some of the top TV shows on television. With 33 episodes of “The Sopranos” plus episodes of…

Secondary Color Correction Video Tutorial

Secondary Color Correction Video Tutorial

Secondary color correction is the process of color correcting a selected portion of a video image instead of color correcting the entire image. Often, at NAB or in software demos…