ART OF THE CUT with Evan Schiff, editor of “John Wick 3”
Evan Schiff started his film industry career at the Stan Winston animatronic studio in 1999 working on such films...
ART OF THE CUT with Jeffrey Ford, ACE, of “Avengers: Endgame”
Jeffrey Ford, ACE and Matthew Schmidt have been collaborating in the cutting room since the first Avengers movie. Back...
ART OF THE CUT WITH “Pet Sematary” editor, Sarah Broshar
Sarah Broshar started as an editorial assistant on Sky Captain and the World of Tomorrow in 2004. Broshar was...
ART OF THE CUT WITH Martin Bernfeld, editor of “Hellboy”
Martin Bernfeld has been editing features for 15 years, including Project Almanac, Paranormal Activity: The Ghost Dimension, Power Rangers,...
ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency”
Phyllis Housen, ACE has been a feature film editor since the early ’90s, including Cargo, To Whom it May...
ART OF THE CUT with Oscar winner, Paul Hirsch, ACE
Paul Hirsch, ACE has edited some of the most iconic films in cinema history: Carrie, Star Wars; Star Wars:...
ART OF THE CUT with Harry Yoon, editor of “Best of Enemies”
Harry Yoon has been a feature editor for the last 10 years. He has worked with some of the...
ART OF THE CUT with editor Chris Lebenzon, ACE on “Dumbo”
Chris Lebenzon, ACE has been widely recognized by his peers with numerous ACE Eddie nominations and wins, including for...
ART OF THE CUT with Nicholas Monsour, editor of “US”
Nicholas Monsour’s previous feature work as an editor has included Keanu and Action Point. He also has experience in...
ART OF THE CUT with “Five Feet Apart” editor, Angela M. Catanzaro, ACE
Angela M. Catanzaro, ACE, has been an assistant editor and an editor for 20 years. Her work as an...
