Thunderbolt in MacBook Pro: a new era for demanding video editors who prefer laptops
As we have amply covered in multiple articles in ProVideo Coalition magazine, demanding online editing of multiple realtime HD...
Quicktips 2011 Day 26: Use a zero in front of a number for better sorting
Today’s Quicktip almost seems like a no-brainer but I’m surprised that I still see projects come in the door...
Quicktips 2011 Day 25: Two Avid tips for Friday
Today we have two Avid Media Composer Quicktips that come to us from Ra-ey Saleh, a Symphony Online Editor...
The existence of a new FCP is confirmed. The world rejoices.
Thunderbolt in action with the old Final Cut Pro By now everyone who’s ever edited a frame of video...
Quicktips 2011 Day 24: Access FCP’s timeline keyframe editor
Everyone who edits with Final Cut Pro knows that you have full access to animating and keyframing parameters via...
Quicktips 2011 Day 23: moving all keyframes on a shot in FCP
This reader Quicktip comes over from Steve Sabban and it’s a follow-up to Quicktip number 7: changing FCP filters...
Time lapse of a Television Editor
Are you curious about what a television editor does? Are you a fan of Chuck? Then this video is...
Quicktips 2011 Day22: Add Virtual Cuts to Avid Clip Based on Tracks Beneath
Here’s a really cool Avid Media Composer Reader Quicktip that comes from Evan Schiff. It’s quite clever and I...
Tribute to Michael Kahn, A.C.E.
Tribute to Michael Kahn, A.C.E. from Carsten Kurpanek on Vimeo. If you haven’t heard, the American Cinema Editors held...
Which ProRes quality level is Good Enough when editing DSLR footage?
So I wanted to share some personal findings after working heavily with DSLRs for about a year and a...
