ART OF THE CUT with the editing team of “Creed II”
Three editors teamed up to bring a cohesive editorial vision to Creed II. Dana E Glauberman, ACE, has previously...
ART OF THE CUT with Oscar-nominated editor, Joe Walker, ACE on “Widows”
Oscar nominated editor Joe Walker, ACE, recently cut the movie Widows for director Steve McQueen. It’s their fourth feature...
ART OF THE CUT with Oscar nominee and ACE Lifetime Achievement winner Carol Littleton, ACE
Carol Littleton, ACE started her editorial career in 1975. She began a long-term working relationship with director Lawrence Kasdan...
ART OF THE CUT with “Bohemian Rhapsody” editor, John Ottman
There are very few big-time editors who do double duty as legitimate film composers, but in this Art of...
Art of the Cut with Oscar-winner, William Goldenberg
William Goldenberg, ACE, won the Oscar for Best Editing for Argo. He received additional Oscar nominations and ACE Eddies...
ART OF THE CUT with Oscar nominee, Jay Cassidy, ACE on editing “A Star is Born”
Jay Cassidy, ACE, has a list of awards that are longer than most editors’ filmographies. He won the ACE...
ART OF THE CUT with Oscar nominee Lisa Zeno Churgin
Lisa Zeno Churgin, has an extensive filmography, including Pete’s Dragon, Pitch Perfect, House of Sand and Fog, Cider House...
ART OF THE CUT with documentary editor Neil Meiklejohn
Neil Meiklejohn is a documentary film editor who edited the documentaries Long Live Benjamin,and The Battered Bastards of Baseball....
ART OF THE CUT with Brent White, ACE on “A Simple Favor”
More likely than not, an Art of the Cut interview with Brent White, ACE, would probably be about editing...
ART OF THE CUT: Frédéric Thoraval on cutting “Peppermint”
Frédéric Thoraval has been editing features for the last 15 years, including Taken (2008), Sinister (2012), and The Gunman...
PVC Favorites
Post Production
REVIEW: END BOOST – audio mixing made easy
Production
Review: Blazar Remus 1.5x anamorphic lenses
Production
