ART OF THE CUT with Lee Smith on cutting 007’s “Spectre”
Lee Smith, ACE, most recently cut the Bond flick, “Spectre” but has also cut “Master and Commander,” “Batman Begins,”...
Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 2
With the move to larger then HD projects, there have been some changes in Media Composer that editors need...
A digest of last week’s photo and video news – Week 9
A digest of last week’s news is a selection of some of the news from week 08 from 2016...
Canon PowerShot G7 X Mark II introduces Dual Sensing IS
The PowerShot G7 X Mark II compact camera is the first from Canon to use the new Digic 7...
Use the under US$50 Kindle Fire as a 48 kHz audio recorder
The lowest priced 7-inch color Kindle Fire tablet currently costs less than US$50 (or less than €60) and has...
Magic Movie Wizard: a semi-automatic NLE
Last January Scott Simmons tested an automatic video editing tool, Fastcut, which I had mentionned here at ProVideo Coalition...
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In L.A.? Meet the Oscar nominated editors!
American Cinema Editors will hold its annual roundtable of the Oscar nominated editors at Grauman’s Hollywood Egyptian Theatre February...
Behind the Cinematography of the Oscar-Nominated Documentary “Cartel Land”
Cinematographer Matt Porwoll is based in New York City. His most recent work, Cartel Land, was nominated for a 2016...
Ask me no questions and I’ll speak in no fragments
A sign taped to the door says “Quiet– filming.” This only makes you more nervous. You enter the room:...
Creating screen replacement effects in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can use the Distort tool...
