AE for Editors: Prolost Speedramp
Speed ramps used to be rare, and before that, nonexistent. Slow motion has long been a part of cinema—it...
Free Function Friday locateMidPoint
Ep. 32 locateMidPoint Free Function Friday
ART OF THE CUT with Ken Burns’ doc editor Craig Mellish, ACE
Documentary editing is an art form that requires tremendous patience, skill and imagination. Eisenstein’s theories about the juxtaposition of...
Improving image quality by changing channels
Image quality can be a touchy subject, from production right through to final delivery. So to claim that I’m...
Media Composer 101 – Lesson 20 – Basic Transitions
In this lesson, Kevin P McAuliffe goes back to basics and continues his talk about editing in your Media...
Do Away with the Array: RE:Lens for After Effects brings clarity to extreme fisheye scenes
RE:Vision Effects, best known for its Academy Sci-Tech award-winning motion-estimation-based effects including Twixtor and Reel Smart Motion Blur, demonstrated...
360º Video Report #11 – Epson Moverio BT-200 AR Smart Glasses at NAB 2016
One of the hidden gems I came across at NAB 2016 was on the Epson booth. We typically associate...
ART OF THE CUT with the editor of “The Jungle Book,” Mark Livolsi, ACE
Editor Mark Livolsi, ACE, started out as an apprentice editor on “Wall Street” (1987), moving up through the ranks...
NAB 2016 – mocha Pro and visiting the Boris and Imagineer Systems Booth
I made it a point to drop by the Boris FX booth to have a chat with Ross Shain...
360º Video Report #9 – Tims Johnson from Blacklist Digital talking VR Production and Post
Tims Johnson, CEO and Co-owner of Blacklist Digital talking VR Production and Post. Tims (yes he does have a...
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