SWIT K7: a new 7-inch touchscreen cine monitor for video professionals
Built for daylight shoots and mixed-signal camera rigs with dual NP-F hot-swap, 2-pin LEMO and USB-C PD power, the...
Sigma 50-120mm F2.8 DC OS | Contemporary: compact telephoto zoom for APS-C
The Sigma 50-120mm is the first APS-C zoom in Sigma’s Contemporary line to include an aperture ring, a control...
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary: a new lens for Nikon Z mount
The Sigma 16-300mm is an all-in-one zoom lens designed for APS-C mirrorless cameras that achieves the world’s first zoom...
Matysiak paints “Motor City” in neon with Astera
Cinematographer John Matysiak brings a vivid breathlessness to the near-wordless film “Motor City”, with Astera lights and VFX tricks...
Retouch4me Lab: AI color correction for a whole shoot
The new Retouch4me Lab app is an AI color correction tool for photography that works on a whole shoot...
NiSi combines VND and polarizer in one True Color filter
Photographers will love it, but it’s also a bonus for filmmakers, as the 1 to 5 stop range makes...
Matthews introduces 40″ Sliding Leg C-Stand 2-Pack
The new set delivers a matched pair of Matthews’ classic C-Stands trusted by the industry for decades—in a single...
Ricoh GR IV: limited edition celebrates 30 year of GR series
A limited version of the current GR IV inspired by the original Ricoh GR1 film camera from 1996, the...
Disguise makes X Series more accessible to small-sized productions
With the expanded X Series, Disguise opens its Disguise Designer to far more tours, festivals and live events at...
Equipment failure isn’t an option, says Bantaray, who uses AJA gear
Bantaray Mobile Sports Production delivers niche sports to growing audiences with AJA, having built a mobile production pipeline to...
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Post Production
Desert Palms captured with Blackmagic URSA Cine Immersive
Post Production
