Post Production
Windows ProRes: First Impression
I’ve missed ProRes. I’m used to jumping between Mac and Windows, and I often say that once I’m in...
Post Production
AE Project Diary: 3) Ausgrid
What makes a project good to work on? I’ve worked on more productions than I can remember but some...
Post Production
AE Project Diary: 2) Green Fever
This is the first article anyone has written about Star Wars, lawn bowls, weddings and coffee machines, and how...
Distribution
Art vs Advertising: The reality behind my first rejection
20 years ago this week I answered the phone – and this is what I learned. Recently, Richard Harrington...
Post Production
Improving image quality by changing channels
Image quality can be a touchy subject, from production right through to final delivery. So to claim that I’m...
Post Production
AE Project Diary: 1) Lego, Ninjago
The “After Effects Project Diaries” provide inside details and behind-the-scenes accounts of real projects I have worked on. In...
Post Production
Ghosts, holograms, and the quest for immersion
Not all videos are destined to be broadcast on TV, or even viewed on a computer screen. While building...
Post Production
Building Projections – Preview & Testing
When producing large scale video projections it’s important to establish some type of preview, to guage how the content...
Post Production
Bigger, brighter, bolder – the evolution of large scale video projection
In 2009 I had never heard of projection mapping, or building projections, so when a friend of mine emailed...
Post Production
Hues on first – easy and fast colour correction
Colour correction is one of the most important aspects of compositing and visual fx. This quick tip will show...