Art Adams is a cinema lens specialist at ARRI, Inc. Before that, he was a freelance cinematographer for 26 years. You can see his work at http://www.artadamsdp.com.

Art has been published in HD Video Pro, American Cinematographer, Australian Cinematographer and Camera Operator magazines, and has written for ProVideo Coalition since its inception. He is an active member of the International Cinematographers Guild and a former member of the Society of Camera Operators (SOC).

My first RED shoot: The training wheels come off!

My first RED shoot: The training wheels come off!

Okay, I have to admit it: I now like this camera more than I thought I would. As those of you who read Adam Wilt’s blog know, he…

NAB Odds and Ends

I’m a bit late in writing this, but there are some NAB wonders that I want to blog about. I had all of one day to see the…

Find me at NAB, part 2

I just received my April copy of HD Video Pro magazine, and there on page 54 is my write-up of Element Labs LED lighting technology for the film industry…

Find Me at NAB

For a bit over a year now I’ve been consulting on a new broad-spectrum LED light for the motion picture industry. The idea is that this light…

RED Build 15 EI Tests

RED ONE Build 15 EI Test The idea behind this test was to underexpose a neutral reference and see at what point the RED’s noise becomes too much…

RED IR Filter Test

RED IR Filter Test

A while back, while browsing Reduser.net, I saw that someone had done an IR test and discovered that RED has a weakness when it comes to IR filtering. I…

RED Build 15 Flesh Tone Latitude Test (under tungsten light)

RED ONE Build 15 Flesh Tone Latitude Tests (tungsten) In my quest to figure out just how much overexposure latitude I can get out of a RED under tungsten light…

RED results coming soon–stay tuned!

Hi all- I apologize, but I’ve been swamped with work of one sort or another, and when I tried to sit down and start sorting through the latest…

RED: Not a vampire camera at all. It loves daylight!

I’ve now had independent confirmation from a couple of people who watched my RED build 14 exposure tests and have had great luck treating their RED as a…

Power Windows: Coloring Correction with Training Wheels

Power Windows: Coloring Correction with Training Wheels

Like a lot of people with Final Cut Pro or After Effects, I’m trying to become a crack colorist in the privacy of my own home. It&#8217…