ART OF THE CUT with editor Andrew Weisblum, ACE on “Alice Through the Looking Glass”
You can’t pigeon-hole Andrew Weisblum, ACE. Each project is so different from the next: “The Darjeeling Limited,” “The Wrestler,”...
ART OF THE CUT with editor Leo Trombetta, ACE of “Mad Men” “Narcos” “Roswell” and “Luck”
Leo Trombetta, ACE has professional credits dating back into the mid 1980s and has been in the editor’s chair...
Art of the Cut with “Grey’s Anatomy” and “Scandal” editor, Joe Mitacek
Today, Art of the Cut discusses cutting the long running hit TV series, “Grey’s Anatomy” with its lead editor,...
ART OF THE CUT – Clayton Condit cuts “Voice from the Stone” on FCP-X
Art of the Cut takes a deep dive into what it’s like to cut a feature film in FCPX...
ART OF THE CUT with Kate Sanford, ACE editor of “Boardwalk Empire” and “Vinyl”
Editor Kate Sanford, ACE, has been working as a professional in post since 1987 and has been in the...
ART OF THE CUT – with “Captain America: Civil War” editor
Editor Jeffrey Ford, ACE has been cutting films as an editor since 2000 with “The Yards.” And also cut...
ART OF THE CUT with Ken Burns’ doc editor Craig Mellish, ACE
Documentary editing is an art form that requires tremendous patience, skill and imagination. Eisenstein’s theories about the juxtaposition of...
ART OF THE CUT with the editor of “The Jungle Book,” Mark Livolsi, ACE
Editor Mark Livolsi, ACE, started out as an apprentice editor on “Wall Street” (1987), moving up through the ranks...
ART OF THE CUT with Oscar winning editor: Martin Walsh
In the Art of the Cut interview series I’ve had the pleasure to interview several Oscar-winning editors. This one...
Art of the Cut with “Batman v Superman” editor, David Brenner
David Brenner has 23 credits as an editor going back to the 1980s with “Talk Radio,” “Born on the...
PVC Favorites
Post Production
REVIEW: END BOOST – audio mixing made easy
Latest
Production
From the NAB Floor | Creamsource Lighting
Production
From the NAB Floor | Deity Microphones
Post Production
