Media Import Options in Final Cut Pro 10.1
Welcome to our second MacBreak Studio on the brand new Final Cut Pro 10.1! In this episode, Steve Martin...
Beachtek DXA-SLR PRO audio interface review part 3: with GH3
For part 3 of the Beachtek DXA-SLR PRO audio interface review, I visited Luna Studio in Miami Lakes, Florida,...
Rumbling Under the Radar
Last year we revamped our voiceover recording chain, replacing a microphone and “voice channel” (a microphone preamp with additional...
Moving on Up to the Creative Cloud, the State of the VFX Industry and NLE Updates Galore
2013 saw a number of announcements and updates from the biggest names in the industry, but really that’s the...
Book Review: Preparing for Takeoff – Preproduction for the Independent Filmmaker
Ever since I was a little kid I had always wondered why producers had their names at the beginning...
After Effects 12.2 Audio Bug…
There’s been a bit of a panic among some After Effects users about a bug introduced in the December...
Circles in After Effects
Making circles in After Effects seems like a trivial exercise, but there are a ton of approaches to their...
Beachtek DXA-SLR PRO audio interface review part 2: with Blackmagic Pocket Cinema Camera
For part 2 of the Beachtek DXA-SLR PRO audio interface review, I got together with Ríchard Izarra in one...
Understanding Libraries in Final Cut Pro 10.1
Welcome to our first MacBreak Studio on the brand new Final Cut Pro 10.1! In this episode, Steve Martin...
The Ray-traced 3D renderer in After Effects
A big addition to After Effects CS6 was the introduction of a Ray-traced 3D composition renderer that handles reflections,...
