Voices from Sundance podcast with Phyllis Housen, editor, “Clemency”
Here’s episode 2 of Voices from Sundance. This episode features Phyllis Housen, who edited the narrative feature film “Clemency.”...
Solutions to Resolve 5: Taming Color Management – Part 1
Color management in Resolve can be frustrating. In theory it should be a great alternative to using LUTs, but...
ART OF THE CUT’s Voices from Sundance Podcast Episode 1
So, you’ve been asking for a podcast for a while. This is my first attempt. I’ll be working to...
Sundance Film Festival: storytelling using VR, AR, AI and mixed reality
The 2019 Sundance Film Festival is the place to go to see first-hand the dynamic crossroads of film, art...
ART OF THE SHOT: “Ask Dr. Ruth” DOP David Paul Jacobson
Now that the Sundance Film Festival is in full swing I had the opportunity to talk to cinematographer David...
Three lenses: a look at bokeh, depth of field and geometry
Some people take time off during the holidays. I borrow a half million dollars worth of camera and lenses...
Photo Tour: Canon Burbank
In late December I visited Canon Burbank, an 11,000 square foot, purpose-built facility where you can see Canon’s stills,...
5 Color Illusions that Colorists & filmmakers should be familiar with
Optical illusions and irregular visual phenomena mean many things to us. Simple enough to be enjoyed by anyone, yet perplexing...
Film lens vs. digital lens: what are the differences?
I’ve worked with a lot of cameras, and I’ve always come back to ARRI cameras whenever I’ve had the...
Review: PhotoDirector 10, a photo editor with tethered shooting and DAM library
More than a decade since the first version was introduced, PhotoDirector 10 gains features as tethered shooting or complex...
