Things you didn’t know about color matching lenses
Lens color hasn’t been on my radar until recently. I didn’t know how much I didn’t know until I...
Filmmaking experiences when moving from digital to film
One of the questions that came up during our film vs. video roundtable was around whether or not young...
Review: Tascam DR-10X 48 kHz plug-on audio recorder
If you saw my recent review of the RØDE Reporter dynamic handheld microphone (link ahead), you probably noticed a...
Avoiding latency and increasing efficiency during production
The Walk, written and directed by Robert Zemeckis, features Joseph Gordon-Levitt as high-wire artist Philippe Petit. The film is...
Review: RØDE Reporter dynamic interview microphone
Omnidirectional dynamic microphones with balanced XLR connections remain the first choice for most ENG (electronic news gathering) organizations to connect...
Hands-on interaction with Teradek, Paralinx, and SmallHD wireless monitoring products
Production professionals in and around the Los Angeles area are going to have a much easier time figuring out...
4-camera shootout in-studio with greenscreen & TriCaster virtual set
The goal was to compare several cameras that made me curious for studio use with a greenscreen using a...
HDR has arrived – are professionals and consumers ready for it?
Dolby Vision has had a presence at industry events for many years now, but high-dynamic range (HDR) technology is...
V-Log L on the GH4: don’t panic
I shot V-Log L on the GH4 and graded it back to match Cinelike D, comparing internal and external...
Product Review: SwiftCam M3S Smartphone Handheld Stabilizer
DSLRPros has upped their game with a brand new brushless handheld smartphone stabilizer, the SwiftCam M3S. I’ve had a...
PVC Favorites
Adobe Insights
