Does Media 100 (still) make sense for your post-production workflow?
Media 100 is a name that prompts numerous memories for experienced professionals. Back when it debuted, the software changed...
Media Composer 101 – ADVANCED – Archiving Your Projects Part 1
In this lesson, Kevin P McAuliffe shows you how to archive your project using only the included tools in...
Review – The Light Wrap Fantastic From Digital Anarchy
If you do a lot of keying with keylight in After Effects, Digital Anarchy is going to help make...
After Effects Hidden Gems Weekly: Dashed Lines
Lines: They show up everywhere, from underscores for text to animated elements flowing across the screen to mapping out...
Expanding your Editorial Toolkit – Boris Red 5.5
Are you an Editor who finds After Effects to be a bit too daunting? There are other tools out...
Media Composer 101 – ADVANCED – What is Transcoding? Part 3: 2K/4K/UHD
In this lesson, Kevin P McAuliffe concludes his in-depth look at Transcoding in Avid Media Composer, by looking at...
Magic Bullet Suite review – Great for many but not for me
The interface is beautiful and minimizes visual clutter. Stuff slides onto screen when you need it and slides off...
Fast Project Versioning in Final Cut Pro X
On this week’s Final Cut Pro X in Under 5 Minutes, I explain how you can very quickly create...
3D text & replicators in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training the power of combining multiple concepts in...
After Effects Hidden Gems Weekly: Write-on
The Stroke effect in After Effects is a workhorse, but it has one major limitation: It’s width is constant...
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