How Amanda Lundquist Shot “Pinksy” for $30,000 from Kickstarter
Creating a feature film is no small feat, especially on a shoestring budget. Amanda Lundquist’s debut feature, Pinsky, is...
Art of the Frame Podcast: Editors on Editing with “Challengers” Editor Marco Costa
On this episode of Editors on Editing, Glenn Garland interviews editor Marco Costa, focusing on his work on the film...
Art of the Frame Podcast: Editors on Editing with “Anora” Editor Sean Baker
In this episode of Editors on Editing, Glenn Garland interviews Sean Baker, renowned for his work on films like The...
Art of the Frame Podcast: The Alan Smithee Round Table – Our Top 3 Tech Things we are Thankful for
In this edition of the Alan Smithee podcast, hosts Scott Simmons, Katie Hinsen and Michael Kammes discuss technological advancements...
Art of the Frame Podcast: Editors on Editing with “Beetlejuice Beetlejuice” Editor: Jay Prychidny
On this episode of Editors on Editing, Glenn Garland interviews Jay Prychidny to talk about his work on Tim...
How Clay Tatum shot “The Civil Dead” in 12 days for less than $40,000
Clay Tatum’s journey to making his debut feature film, The Civil Dead (2022), offers invaluable lessons for aspiring filmmakers,...
Director Edoardo Vitaletti on “The Last Thing Mary Saw” | My First Film
In Episode 5 of “My First Film,” host Alec C. Cohen interviews Italian filmmaker Edoardo Vitaletti about the challenges...
Art of the Frame Podcast: The Alan Smithee Round Table – A Lot Has Been Happening
Hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech...
Director Jonathan Cuartas on “My Heart Can’t Beat Unless You Tell it To” | My First Feature
Jonathan Cuartas’ debut feature film, “My Heart Can’t Beat Unless You Tell It To,” is not just a film...
Director Joel Potrykus on Debut Feature “Ape” | My First Film Podcast
Joel Potrykus, a film director known for his raw and uncompromising style, took the indie film scene by storm...
