In past articles, I have praised the benefits of WorldCams, especially for independent producers and camera operators. Unlike with a segregated camera, which is limited either to only NTSC-derived framerates (like ≈29.97 and ≈59.94), or to only PAL-derived framerates (like 25 and 50), a WorldCam allows you to accept work for all worldwide framerates, rather […]
Is your camera WorldCam & CineCam too?
